Archive for the 'Picasso' Category

10 December, 2017

Posted by Socrates in black culture, jewed culture, jewed media, jewed music, Picasso, rap, Socrates at 5:11 pm | Permanent Link

Which do you think is true: A) rap “music” is popular; or B) the Jewish pop culture says that rap is popular, thereby making it popular with just enough people? I’ve always suspected the latter. White people needed to be conditioned, or trained, to embrace rap as legitimate. (The same goes for the “artist” Pablo […]

29 March, 2015

Posted by Socrates in art, communism, jewed culture, Picasso, pop culture, Rembrandt, Socrates at 5:55 pm | Permanent Link

Why is the communist finger painter Pablo Picasso considered to be a great artist? [1]. Because the popular culture (movies, magazines, newspapers, TV shows) has spent 50 years building him up into a Rembrandt-league artist, which he wasn’t. He was a Crayon-league artist. [Article]. [1] Picasso was a member of the French communist party

22 August, 2014

Posted by Socrates in art, Bouguereau, jewed art, jewed culture, Picasso, pop culture, Socrates, Western civilization, Western culture, Western decline, White art/architecture, White identity, White philosophy, White thought at 3:18 pm | Permanent Link

It’s interesting, but not surprising, that Bouguereau is listed as most-popular. (One art critic said that Bouguereau’s art fell out of favor with the Western public because the public’s taste “had changed.” That’s not accurate. What happened was: the people who controlled Western popular culture – i.e., Jews and leftists – changed the public’s attitude […]

20 June, 2014

Posted by Socrates in art, leftism, leftists, liberalism, liberals, Marcuse, modern art, movie reviews, movies, Picasso, propaganda, Socrates at 3:23 pm | Permanent Link

Pleasantville (1998; starring Reese Witherspoon and Tobey Maguire). This movie is pure propaganda. It’s Herbert Marcuse’s ideology on film. Here’s the basic plot: two modern, White teenagers are mysteriously transported into a 1950s “Leave It To Beaver”-type TV show. The message of this movie is: life sucked in the too-conservative 1950s, it was too rigid, […]