We have been the cowards, lobbing cruise missiles from 2,000 miles away. That's cowardly. Staying in the airplane when it hits the building, say what you want about it, it's not cowardly.POW! Pressure was on. Advertisers were out. The show? Cancelled. The Maher? Exhibiting a peculiarly Jewish resilience in the cutthroat world of Hollywitz, in less then a year jew Maher had a hot new deal with HBO for a weekly series: Real Time with Bill Maher.
The PR machine started rolling and Maher's latest venture was, as always, being pumped as "fresh," "original," "groundbreaking," "radical," "cutting edge," "dangerous," and "boundary pushing." The TV promotions for HBO's Real Time with Bill Maher featured a serious Maher championing his new show as a hard-hitting truth-telling alternative to the candy kisses masquerading as bareknucks commentary in America today. In one of the ads Maher applauds his intellectual heroism while he parlays the cancellation of his old show into ratings-raising "hardball" "no spin" credibility:
I say what I really think about an issue, no matter how bad it may be for me to do so.
What a guy. Sounds admirable, doesn't it? But, according to Maher, he is more than a mere renegade pundit or media muckraker. Proving himself another irony-proof jew, Maher says with straight face and straight tongue:
We're not a nation of rebels, we're a nation of lemmings. We need more rebels who lead by example. I'm one of them.("We're"? Who's "we," jewboy? To paraphrase an old Indian joke.)
A nation of lemmings? In need of leadership? Damn dirty jew comics will steal from anyone -- even All Star "anti-semites" like Dr. Pierce!
HBO's Real Time with Bill Maher premiered Friday, February 21, 2003, and the results could not be more sad, or predictable.
Maher kicks off his opening monologue with scripted mix of gratitude and self-congratulation. "I really feel like I've landed at home here," he says. "The great thing about HBO and this show tonight is we are going on the air without commercials or any advertising! How about that?" (Roar of applause.) Punchline: "Just like my old show." (More laughter.)
This opening joke was pregnant with important but unintended meaning for any jew-savvy reader of VNN, foretelling all we were about to see, and demonstrating the pre-ordained limits of what is allowed to be seen on even "totally free" televitz.
The joke hinges on the contrast between a pay-to-view network like HBO, where absence of advertising revenue allegedly means unbridled creative freedom (a la "Real Time"), and ABC, where absence of advertising revenue in fact means cancellation (a la "Politically Incoorect"). When Maher says he feels "at home," the implication is that he is finally in a realm that can handle him. A realm unfettered by lame advertising concerns, where a bold, brash, truth-telling comic can finally express himself uncensored, no-holds-barred. It sure sounds good. But, as usual, Jew Maher talks the talk but doesn't walk the walk. It's all a ruse, just another jew peddling the same ol' jew-safe junk in a colorful new eye-catching package.
Brute fact: Maher's new show is not only as semitically correct as his old show, it is even moreso. Matt Hale made an appearance on the old show. That is, indeed, politically incorrect. But thus far -- as of September 14, 2003 -- not a single explicitly pro-white guest has graced Real Time's roundtable. When the king of politically incorrect commentary is "unleashed" what he delivers up is as semitically correct as anything else out there on any point along the spectrum, from MTV and Jerry Falwell to Bill O'Reilley and Michael Moore. The domain of debate is, as always, framed by jewish interests.
The guests featured on the "Real Time" premiere says it all: philosemetic pro-Israel Rep. Dana Rohrabacher (R. California), neurotically afro-centric black author Michael Eric Dyson ("Why I Love Black Women"), philosemetic neocon author Ann Coulter (though jews, as usual, still whine and cry that she's a secret jew killer like they imagine every non-jew to be in their bizarro paranoia), and Zionist Jew comic Larry Miller. Pathetic. This ensemble is the practical definition of "controlled debate."
And what comic is featured in the weekly dose of what Maher hails as "completely uncensored, cutting-edge comedy"? Jewess Sarah Silverman. The subject of more than half of her "too radical for the mainstream" routine? Jews, jewishness and -- drum roll please -- the Holocaust. The butt of most of her jokes? White people, Nazis, racists, and of course Hitler. You're skeptical, I know, but it's true. Believe it or not, Jew Silverman made fun of Hitler and honkies and actually managed to get out alive! SHOCKING!
"Real Time" is just more fake time. A charade from start to finish, itz. And each show thereafter has been an equally disappointing repetition of the same.
HBO and Bill Maher's supposed "real alternative" to controlled commentary is just more jew-scripted, jew-approved fake opposition.
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