'Evolution' and 'Swordfish'
by Mark Rivers
I really should stop going to movies. Every time I
give Hollywood the benefit of the doubt, approaching a
new film with an open mind and a non-suspicious
attitude, the brothers Juden treat me to yet another
feast of "black is good, white is bad."
Never was this more true than in the films "Evolution"
and "Swordfish." First, let's take a look at the
credits:
"Evolution," directed by Ivan REITMAN, produced by
Daniel GOLDBERG and Sheldon KAHN, written by David
WEISSMAN, David DIAMOND and Don JAKOBY.
Wow! Happy Hannukah, everyone. Who stars in the
film? Why none other than Jewish David Duchovny (his
father is a Jew, so the Jews don't claim him) and the
negro Orlando Jones.
The film's plot: a meteorite falls to Earth, landing
right next to a community college, where biology
professor Dr. IRA KANE (Duchovny) and geology
professor Dr. Harry Block (Jones) teach.
Kane dotes on his racially diverse students; he even
looks out for the interests of the dumb, fat white
guys in his class (one of whom is Ethan Supplee, who
played the dumb, fat white racist in "American History
X"). Meanwhile, Block, the sexy negro, is
propositioned by a slutty blonde student before he
runs off to coach the white girls' volleyball team.
Once they make their way past the dumb white cops, the
Jew-negro superfriends investigate the meteorite
landing, which was discovered by dumb white poolboy
Wayne Green (Seann william Scott, who was last seen
playing a dumb white guy in "Dude, Where's my car?").
Attached to the meteorite is a slab of organic
material that evolves at lightning speed. From
single-celled organisms spring forth oddball fish,
reptiles and other creepy-crawlies.
The U.S. Army steps in and takes over. They are led
by evil white General Woodman (Ted LEVINE, "It puts
the lotion in the basket..."), and accompanied by
Dr. Allison Reed, deputy director of the CDC (!),
(Julianne Moore), who is as sexy as she is feminist.
Naturally, she will fall for the Jew by the end of the
movie.
The Jew and negro team up with the dumb white poolboy,
and they shoot up a shopping mall, rescuing a white
teenaged girl shoplifter from a pterydactyl-like
creature.
Finally, the Jew-negro-dumbwhiteguys-womynslibber team
figure out a way to defeat the alien evolution, no
thanks to the bumbling of the white general, the white
cops or the white governor.
This movie has only praise for blacks and jews, and
only contempt for whites. It was made by jews. Do
the math.
Likewise, "Swordfish" has a non-white base. Its
director, Dominic SENA, got his start directing Janet
Jackson videos. Sena also directed the ultra-crappy
"Gone in 60 seconds," which also has the racially
diverse good guys fighting the evil whites.
Finally, Sena directed "Kalifornia," which said to the
world, "All White Southerners are hillbilly trash."
"Swordfish" was produced by Joel SILVER and Bruce
BERMAN, and stars John Travolta as an evil white guy.
Hugh JACKMAN ("X-men") is a hacker whose services are
required by Travolta for a nine billion-dollar bank
heist. He is recruited by "sexy" mulatto negress
Halle Berry (who is paraded out on cue by the brothers
Juden whenever white vs. negro beauty is brought into
question.
Jackman agrees to the plan, mainly because he needs
the money to get his little daughter away from his
drunk, evil white ex-wife, who is now married to an
evil, white porno producer.
The ex-wife threatens to send him back to jail, and
pay a couple of "skinheads" to beat him up. Yeah, I'm
sure once he's back in prison, those throngs of white
racists will be his biggest threat, just like in
"American History X."
Meanwhile, negro supercop Don Cheadle pursues the
criminals, just like he did as the negro supercop in
"Traffic."
The movie has lots of action, explosions and gunshots,
but like "Gone in 60 Seconds," it has no purpose;
unless you count the purpose of making negroes look
like high-falutin', contributing members of society,
and making whites look like evil scumbags.
But then, the jews have become quite good at that.
Some movies, like "Dr. Dolittle 2," which every kid in
the world loves, are blatant attempts by Hollywood to
glorify the negro. These two are less obvious, but
just as effective. Save your money, and do something
more productive with the four hours you might
otherwise waste on this jew trash.
MARK RIVERS
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