by Mark Rivers
From Frank Oz (real name: OZNOWICZ) comes The Score, the latest Jew filmmaking
attempt to convince White men that only the noble negro (or negress) can cure them of their
Set in Montreal, The Score stars Robert DeNiro as Nick, a seasoned cat burglar who
wants to pull one last job, one last big "score," so he can retire and settle down with his
"sexy negress," Diane (Angela Bassett).
Diane, an honest, hard-working stewardess, hates his criminal lifestyle, and refuses to
marry Nick if he continues to be a crook. It comes as no surprise, then, that he is
reluctant to take the next heist offered to him by Max (continent-sized Marlon Brando).
He is even more reluctant when he meets his partner on the job, Jack (Ed Norton), whose
brash, devil-may-care demeanor is sure to be a problem later. Jack's plan is to rob the
Montreal customs office of a priceless scepter.
With the help of Nick's dumb White thug, his geeky White computer guy, a corrupt White
security guard, and a lax White security staff in the office, the plan goes smoothly --
until Jack double-crosses Nick, swipes the scepter and leaves Nick to get nabbed.
Of course, Nick escapes, pulls a switcheroo, and winds up happily ever after, getting away
with the loot and his pet monkey.
If it weren't for the fact that the Jews once again threw in their miscegenation
commandment, I probably would have enjoyed The Score more than I did. Frank Oznowicz
is a capable director, but, like the others in his tribe, he is on a mission.
Look at Frank Oznowicz' last four big films:
The Score (2001) -- "Race-mixing is good. Whites are crooks and negroes are
Bowfinger (1999) -- "Negroes are rich and sexy. Whites are dishonest and
In and Out (1997) -- "Homosexuals are great. If you are not a manly, grunting
behemoth, you're probably gay, so why don't you just admit it?"
The Indian in the Cupboard (1995) -- "Behold the noble red man. Every kid should
have a dark-skinned best friend."
Some movies, like Dr. Dolittle 2, Baby Boy, Scary Movie 2, Rush Hour
2, Kiss of the Dragon and Kingdom Come are deliberate attempts by the Jews
to actively (and inaccurately) promote Blacks and/or Asians. The rest of the movies simply
throw them in as normal, everyday parts of our lives.
Though the target audience of The Score is not White teenagers (for once), the
unwashed masses in attendance will see yet another race-mixed couple presented as normal,
and they will let the movie convince them just a little further that there is nothing wrong
This is already leading to an increase in the mud-colored population. When the negroes and
mestizos are the majority and WE are the minority, I don't have to tell you what will happen.
You need only to search the back pages for what is already happening in countries like South
Africa and Zimbabwe, as well as American cities like Boston, Detroit, Kansas City, Wichita,
Washington, D.C., Seattle, St. Louis, Birmingham, Memphis, Los Angeles, New York, Denver,
Orlando, Houston, Indianapolis, Cincinnati....
This is one trend that must be reversed.
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