Amelie
[French language, with English subtitles]
by Alexander MacDonald
June 7, 2002
The vast majority of movies made these days either
contain subtle (or, increasingly, blatant) attacks and
slanders against Whites and the civilisation we have
built, or they glorify the noble negro, or both.
Here's a film which does neither. Indeed, "Amelie"
(named after the main character, a young French
waitress called Amelie Poulain) is a refreshingly
life-affirming and (albeit unintentionally, we can be
sure) race-affirming love story. However, to label
"Amelie" as merely a love story would be an injustice:
Amelie Poulain's quest for romance only concerns the
second part of the movie. The first half mainly deals
with her inventive -- and often hilarious -- plans to
straighten out other people's lives.
Laced with a dark sense of humour that never threatens
to overwhelm the upbeat heart of the film -- look out
for a suicidal goldfish -- watching "Amelie" is akin to
taking a deep breath of clean, Alpine air after wading
through the sewer of Hollyjüde. Forget your
preconceptions about watching foreign-language films.
This movie is so touching, magical, and hugely
entertaining, that you'll almost forget it's not in
English.
I could write at length about the many things which
make this film great: the wonderful acting; the
naturalistic, elfin beauty of the lead actress; the
rich humour; the quirky, whimsical look at life in
Paris... but you can read about these factors in any
of the film's rave reviews by the mass media. What VNN
readers want to know is how "Amelie" stands up when
viewed from a racially conscious angle.
The answer is very well indeed. While not specifically
racially conscious, it is pleasantly surprising to
note the almost total absence of negroes in this
movie. I say surprising because in real life,
beautiful Paris -- that once wonderful city of lights --
is absolutely infested with blacks, browns, and all
sorts of racial undesireables, thanks to jew-know-who.
In crafting such a wholesome and life-affirming work,
the director has, like most White lemmings when they
envisage their ideal world, unconsciously (?) come up
with one that is almost entirely White... a sort of
French "Bedford Falls," so to speak.
I say almost entirely, because there are a couple of
brownflies in the ointment. There is one non-White
character in the movie, a retarded North African named
Lucien, who is (inevitably) picked on by his nasty
White boss. Apart from that, there is barely a jigaboo
in sight, which must surely cast French minds back to
the good old days when their country was as clean and
White as it is portrayed in "Amelie."
(Note: the French surrendered to Germany in WW2 rather
than see Paris reduced to rubble, yet they have since
allowed their historic capital to become a sprawling
Islamic ghetto within only two generations - a fact
which should make the lemmings question which side
REALLY won the war. Even the Semitically Correct
history books are forced to admit that the German
occupiers behaved like gentlemen, while the modern
negroid occupiers are notorious for gang-raping White
girls. The West needs Brownshirts, not brownwogs!)
The other flaw in the movie is that Amelie's love
interest is played by half-kike Mathieu Kassovitz, who
also directed anti-White hate film "La Haine."
However, Kassovitz has limited screen time and --
although he has a typically French, "Charles De
Gaulle" type of nose -- doesn't appear obviously
Jewish. It would be churlish to fixate on these small
flaws, given that nearly every movie which comes out
of Hollywood these days is metaphorically swimming in
yids 'n' jigs.
I make no apologies for again mentioning the
luminescent beauty of the actress who plays Amelie -
Audrey Tautou. Most White nationalist males seem to
uphold the blonde-haired, blue-eyed, Nordic Viking
Maiden as the ideal standard of White beauty. Seeing
"Amelie" should remind them that the women of our race
needn't look Scandinavian to look beautiful.
Of course, if the Jews have their way, there won't be
any beautiful White women -- whether blonde or brunette
-- in years to come. In fact, there will be no White
people at all. That's why Hollyjüde and Murray
Rothstein's MTV are working hard to pair off White
women like your sisters with violent, AIDS-ridden
jungle beasts like LeRoy the crackhead.
And that's why you should join the National Alliance.
ALEXANDER MACDONALD
Do you have a comment on this review? Send it
to :
alinder@kvmo.net
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