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Speaking of Franks, I think I’ll thaw some frankfurters out tonight and barbecue them nice and slow on the GAS grill on my back porch.

I’m thinking of taking a portable tape recorder out there and hitting
the ‘record’ button, to see if I can capture any screams or Oy Veys from those franks as they are grilling, nice and slow.

I’ll upload the audio to vnn forum, if Alex approves.

Jews make money on this comedy, then sue each other to make more money, the kikes pockets are never full. “Vamilies vill be kep in da vamily kamps”.

I like how the Anne Frank “diary” was written in ball-point pen, a device that would not have been available to a donkey-faced Jewess hiding in German-liberated Holland during Jew War II. I wonder what will be “discovered” next, her cell phone and IPod?

Time for a remake of “The Blue Max” :0)

“not knowing the subject. I thought “look at that cute White girl” …but then I listened further to the trailer and realized that it was another pretty White actress playing a hebe.” …Blackshirt

Always the case! Jewish actors/actresses only play gentiles (except sometimes when there’s a specific point to be made, as regarding anti-semitism). Even then, the Jews used are rarely fully Jewish. On the other hand, Jewish characters are virtually always played by good-looking gentiles.

It gets confusing — until you learn the pattern: the Jews play gentiles, and the gentiles play Jews. Hollywood’s way of muddying the waters. No wonder America’s so confused!

Bob Dylan, a kike’s kike & fundraiser for nigger murderer of 3 White people… Here: http://www.graphicwitness.com/carter/

Bob Dylan’s Jewish Influence

Knockin’ on heaven’s door: Fifty years into Dylan’s career, Seth Rogovoy’s new book explores his Jewish influences.

With God On His Side
by Jonathan Mark
Associate Editor
http://www.thejewishweek.com/viewArticle/c37_a17540/News/National.html

Bob Dylan showed up in Greenwich Village in 1960 dissembling tall tales of who he was, riding in as a mystic, mythic, out of the American West, one of Woody’s children, raised by Bessie Smith or Mother Goose, now you see him, now you don’t, born in a dustbowl or on the Burlington Northern, a never-ending kaleidoscope of biographical masquerade.

And yet, no great American singer-songwriter was such a child of the Jewish 20th century. He may have been Woody’s child, but he was Anne Frank’s ornery brother who didn’t think people were good at heart: “You’ve got a lot of nerve, to say you are my friend.” He came out of the chute singing “Talkin’ Hava Negilah Blues” (introduced by Dylan as

“a foreign song I learned in Utah”), making a half-dozen song and poem references to Hitler or the Holocaust, singing, “We forgave the Germans … though they murdered six million in the ovens,” somehow becoming a star in the process.

This was not the stuff of Tin Pan Alley, let alone Top 40; Holocaust talk was hardly heard in public, let alone sold on the Columbia Records label.

Dylan later studied art with Sholom Aleichem’s son, Norman Raeben, whom Dylan credits with influencing his poetry. Dylan named his music publishing company, “Ram’s Horn Music,” and said, “I am a Jew. It touches my poetry, my life, in ways I can’t describe.” And yet Dylan’s Jewishness has rarely, if ever, been written about at length.

Even in his memoir “Chronicles Volume 1” (the name of a book in the Hebrew Bible), Dylan devotes several pages to how he was influenced by Woody Guthrie and Robert Johnson, but almost nothing about how his poetry and images were influenced by Judaism and Jewish texts. Over time, however, he admits that the political, countercultural interpretations of his lyrics bothered him: “Whatever the counterculture was, I’d seen enough of it. I was sick of the way my lyrics had been extrapolated, their meanings subverted into polemics and that I had been anointed as the Big Bubba of Rebellion, High Priest of Protest. … I’d have to send out deviating signals … create some different impressions. … I went to Jerusalem, got myself photographed at the Western Wall wearing a skullcap. The image was transmitted worldwide instantly and quickly all the great rags changed me overnight into a Zionist. This helped a little.”

And that’s just about all he’d say. Feeling protective, wounded, Dylan then retreats, to write least about what he loves most, almost nothing about his children, his parents, his religion and religious inspirations.

Now, almost 50 years into Dylan’s career, someone finally explores the last of these.

Now, almost 50 years into Dylan’s career, it finally has, in Seth Rogovoy’s fascinating new book, “Bob Dylan: Prophet, Mystic, Poet” (Scribner). Rogovoy, author of “The Essential Klezmer,” documents Dylan’s Jewish inspirations, lyrics directly echoing Isaiah (“All Along the Watchtower”); Leviticus (“I Pity the Poor Immigrant”); the Shabbat table (“Forever Young” is based on the Friday night blessing given to children); to “New Morning,” based on the daily service; “Time Out of Mind” (the Yom Kippur service); to the Talmud (“Idiot Wind” is based on an extended riff by Resh Lakish on sin and “ruach shtuss,” ruach meaning both wind and breathing, “Idiot wind, it’s a wonder that you still know how to breathe”).

Other writers have picked up on Dylan’s Jewish influences before, in smaller pieces. Allen Ginsberg described Dylan’s vocal technique on “One More Cup of Coffee,” as a “voice lifts in Hebraic cantillation never before heard in U.S. song,” and, indeed, it does sound like Dylan is layning Torah.

When Ronnie Gilbert of The Weavers once introduced him at a folk festival, “And here he is … take him, you know him, he’s yours,” Dylan recoiled, he wrote in his memoir, “What a crazy thing to say. As far as I knew, I didn’t belong to anybody, then or now. … I had very little in common with and knew even less about a generation that I was supposed to be the voice of. I’d left my hometown only ten years earlier…”

In that hometown, Hibbing, Minn., his parents kept a kosher home; his mother was president of the local Hadassah; his father was president of the local B’nai Brith; his great-grandfather (who didn’t die until Dylan was 20) regularly put on tefillin; Dylan lived in the Jewish fraternity house at the University of Minnesota, and spent summers in Camp Herzl, a religious Zionist camp, just two years before he was singing in New York.

When Dylan lived in upstate Woodstock, his mother said he always kept a Bible on a shtender, the Yiddish word for a personal bookstand, commonplace in old shuls, used for holding a siddur and Bible.
Those “hometown” years left Dylan with several lifelong Orthodox friends, who sometimes went on tour with him, and a Jewish mother who helped bring him back to his roots after a two-album detour into Christianity 30 years ago. Dylan’s Christian interest was seemingly driven by a romantic relationship with one of his African-American Christian back-up singers, after Dylan divorced the Jewish wife with whom he raised five children, several of whom were given Israeli bar mitzvahs, with one daughter known to be Orthodox as an adult.

As Rogovoy tells it, Dylan’s mother persuaded him “to visit his boyhood friend, Howard Rutman,” a dentist, “under the guise of his needing to get his teeth cleaned. As an old friend from Camp Herzl days … Rutman was one of the few people in the world able to confront Dylan directly. … While examining Dylan’s mouth he supposedly pointed to a cross Dylan was wearing around his neck, and asked him, `Bob, what’s up with this? …. Bob, you’re Jewish.”

Rutman, writes Rogovoy, who is Orthodox, “invited Dylan to his house for dinner. Dylan brought his girlfriend at the time and wound up incredibly embarrassed by the manner in which she carried on about Jesus to Rutman and his wife, who were having no truck with such talk.”

Dylan’s Christian period clearly ended with “Infidels,” without question the most right-wing Jewish album ever made by a popular singer. It was an album, writes Rogovoy, that had The Village Voice calling Dylan “the William F. Buckley of rock and roll.”

Dylan, himself, wrote in “Chronicles,” “My favorite politician was Arizona Senator Barry Goldwater, who reminded me of Tom Mix, and there wasn’t any way to explain that to anybody.”

Rogovoy calls the centerpiece of “Infidels,” a tune called “Neighborhood Bully,” a “drippingly sarcastic overview of Jewish history and persecution through the lens of contemporary Zionism, a strongly nationalistic identification with the Jewish peoplehood. The song is saying that Judaism and Jewish nationalism are one and the same, which is a very sophisticated point of view.”

As Dylan sings of Israel: “Well, he knocked out a lynch mob, he was criticized/ Old women condemned him, said he should apologize/ Then he destroyed a bomb factory, nobody was glad/ The bombs were meant for him, he was supposed to feel bad/ Neighborhood bully.”

Elsewhere on that album, he took a further swipe at Israel’s critics: “You know that sometimes Satan comes as a man of peace.”

For quite some time, writes Rogovoy, the lead guitarists in his road band would introduce “All Along The Watchtower” with “a snippet” of the theme from the movie “Exodus,” thereby further associating a Dylan song “with contemporary Jewish nationalism.”

Dylan has appeared on Chabad telethons, calling Chabad “my favorite organization in the whole world.” He may have changed his name from Zimmerman to Dylan, but he never changed his Jewish name — Shabtai Zisel Ben-Avraham — with which he gets called to the Torah in Chabad shuls.

Not all of Rogovoy’s claims are completely convincing. He has Dylan’s “Tombstone Blues,” referring to Samson and the jawbone, as a “freewheeling riff on Judges 15,” without mentioning that “Samson and Delilah,” was already a classic song by Reverend Gary Davis, and went all the way back to “If I Had My Way (I Would Tear This Old Building Down)” by Blind Willie Johnson in the 1920s. One doesn’t have to be Jewish to influenced by the Hebrew Bible.

Nevertheless, Rogovoy includes this gem: Dylan gives a shout-out in “Tombstone Blues” to the 1949 movie “Samson and Delilah” that was based on the 1930 novel, “Judge And Fool,” also known as “Samson The Nazarite”; it was written by Zionist leader Vladimir Jabotinsky, founder of the Irgun, and the political mentor to Menachem Begin, and what is now Likud, led by Prime Minister Benjamin Netanyahu.
“Jabotinsky,” notes Rogovoy, “also co-wrote the treatment that was eventually turned into the film script.”

Only a story about Dylan can get Jabotinsky together with Blind Willie Johnson, and that says it all.

I’m surprised no one here has yet responded (at least in a any kind of meaningful way) to the Jewess Paulette and her tired old claims of Jewish superiority in educational, economic and career achievements! Are you all going to let her get away with such boasting and bragging?

It’s been my experience that Jews are NOT any smarter than anyone else. But they ARE pushier, sneakier, more devious, more clannish and more ruthless than the rest of the world combined. I mean, who else has ever invented a god who tells his tribal followers that they are superior to all other peoples and that they have the divine right and duty to enslave the world…Who else has ever done this, I ask you!!

Is it any wonder that people from different races, continents, classes and historical eras have always come to the same conclusions about the Self-Chosen????

Now stop cowering and start confronting!

Well said Tim. I’m sick of hearing of jew’s higher rank because their demonic desert deity told them so. The time for ‘talking things thru’ with scorpions is long past.

“I mean, who else has ever invented a god who tells his tribal followers that they are superior to all other peoples and that they have the divine right and duty to enslave the world…Who else has ever done this, I ask you!!”

Moslems! Of course, they learned it from their tribal cousins next door. They didn’t really come up with anything original.

ABDUCTED!—Damn my proofreading Socrates!One of the FEW,the PROUD,who don’t use spellcheck!

A digression of sorts;the latest update on the Huda Jama mine mass grave uncovered in Slovenia last year where the communists murdered POWs and civilians over a period of several days in 1945.Mitja Ferenc, member of the Slovenian govt commission investigating mass graves on Slovenian territory (685 discovered thus far)states that so far the remains of 727 victims have been exhumed;those of 346 Croats in the tunnel leading to the shafts and the rest Slovenians and Croats in one of the shafts.Ferenc states that in one 48 m shaft there are some 3000 bodies and in another of the same depth full of bodies at least 2000.Further excavations will probably not take place as the comission is underfunded.Reports state that the entrane to the mine will be sealed and that it will become a memorial site.

Whenever I hear a jew kvetching about how smart and talented they are I always wonder why they didn’t have their own country until 1948.A country that they were only allowed to establish after being given permission by those same jealous Gentiles.A welfare state that wouldn’t exist without the financial aid and military protection of countries like Germany and the U.S.
I also knew it was inevitable that the Über-intelligent jews would discover that I only spend my free time exposing their ridiculous holocaust lies because I’m unhappy with my career status.

Paulette Says:
“I am Jewish. I am pretty, smart, have a good job that I got by receiving a good education. I am in contact with the jealous gentile every day. ”

Sorry, “Paulette”. No you’re not. I don’t believe you. I don’t even believe you’re Paulette.
Go cast your line in another pond. Your bait smells too, uh, “fishy”.

I mean in any kind of useful, honest and productive labor.

Well I’m not surprised that a non-jew would be used to portray an Anne Frank, what about Jesus? Have you ever seen, a Jesus movie, with a jew, or black or Messican “playing” Jesus? Hell, Messicans still portray all those saints as White folk, they know what a god looks like. How many niggers or messicans would buy a bag of pampers with a lil shitlet messican or niglet pictured on it?
The jews are trying to create another religion to replace Xianity, it seems the Jesus story doesn’t evoke the same sentimentality it once did. When I went to see the Mel Gibson Jesus film, the crowd couldn’t have given a shit less about all the suffering of Jesus, they were just to busy munching pop corn, and slurrpin’ down 20 ounce colas.

Every day of the week, every month of the year, every planet of the solar system is their to remind us of our Pagan roots.

DAVE SAYS:He had no special powers,no real arguments,no logic or ability to reason whatsoever! They just sat there and took it,why?Guilt. He could only use guilt.

Watching these sick fuck kikes is a little bit funny. They have nothing,but gain all. How in the fucking world did these weasily bastards ,oh wait the whole lack of unity amongst ourselves,that’s right.NM
GOOD POINTS! Why do politics and religion foment war between people of the same race? There is alot more to it than just the jews