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Of course we all knew The Pelvis was a jew! Actually, we didn’t and the revelation is quite amazing. But in retrospect we can hear the jew coming out in the delivery of his songs, moody, dark and downbeat. Compare the unsettling quality of his music with the fresh, clean, upbeat melodies of the Beach Boys. Another battle of jew vs Aryan.

Don’t anyone tell me that the Beach Boys were jews!!!

“Not a lot of songs making fun of the Ivy league now are there? Now it is a source of Jewish pride and power. A HARVARD professor, who happens to be Jewish, is deciding policy. Can’t make fun of him or her.”

Right. My point was that in that movie the kikes were using Presley to divide & conquer Whites with class resentment. The fact that working class Whites have been screwed over by elite WASP traitors wasn’t and isn’t something the jews give 2 shits about; they will do or say anything it takes to destroy the WHOLE. Note that they also smeared the kind of “buy American” sentiment that blue collar Whites favor. Truth & consistency have nothing to do with any zhid action.

“Instead of “Forrest Fragments”, this thread should’ve been called “Forrest Droppings”.”

Heh, heh. Fuck you, cunt.

First time I’ve ever heard N.B.’s work referred to as “droppings.” Interesting…

I thought this analysis by N.B. Forrest was as insightful as insightful gets on this Elvis movie.

I will listen to the blues of the black southerner any day over the original music of uppity negros called jazz. Jazz represents everything I hate about the America of my grandparents north of the Mason-Dixie line. The music of urbanite yuppies and gangsters, heroin users and beatniks, all degenerate subversives

Jazz is the pustulent nigger jizz from putrid syphilis infected nigger slime cocks. Only jews and niggers drink at its filthy apocrine fount, their foreheads slick with nigger ball-sweat, smegma and nappy pubes. Fuck jazz. Fuck jews. Fuck niggers.

As long as there’s good White Aryan dick plowing White cunt, then there’s hope. Have children and teach them well. The niggerization of culture must stop. Now! Don’t drink nigger jizz and gleet – listen to White masters. Don’t swallow jew smegma and lick shit-encrusted jew ass – worship your cock (fountain of the White race) and your White balls! Procreation is the solution.

Jazz, for me, was a lot like comparing “hopscotch” to feminine ballet dancing, which is very graceful and enjoyable to watch. Hotscotch, however, only shows off a persons sure-footedness in performing complicated hard-to-master leg movements. So, OK, you can do hopscotch, but, is it really any fun to watch?

Consider the old jazz hit, “Take Five”, by the Dave Brubecker Quartet – well it was 5/4 time, which just isn’t pleasing to listen to. It keeps jumping off beat every measure. OK, so performing 5/4 shows you can keep a beat even if it is “off beat”, so you can brag about your skills at keeping an unnatural rhythm – big deal – it still isn’t something enjoyable to listen to.

Compare to the Bridal Chorus from Act 3 of Wagner’s “Lohengrin” (“Here Comes The Bride”) – now that is something grand to hear – with a natural pleasing rhythm, harmony, and melody, that swells one with an uplifted spirit.

Jazz was created by blacks who were illiterate and too ignorant to learn how to read sheet music.

Led Zeppelin 1 was a ripoff of the blues. Almost all were cover songs.

But as they moved on, they got more into classical and folk.

Niggers stole country and called it the blues!

N.B. Forrest Says:

The blues & jazz have their origins in the ol’ nigra spirituals – but they weren’t created by ol’ nigras, but by religious Scots. A coon musicologist discovered this some years back.

Niggers never created anything else, so why would anyone think they were the sun source of any kind of music worthy of the name?

Although I’m not a musicologist, I do know that the nigger contaminates and degrades everything he touches. Even if it’s true that he originally stole the central concept of the blues or jazz from white people, which wouldn’t surprise me in the slightest, we can be sure that he degraded it and stunk it up with niggafunk before returning it to whites in the form of his contribution to rock.

The negrification of which I spoke is the obsessive focus on sexuality – the muh dik factor – which is the sum total of the nigger’s contribution to contemporary music, when you get right down to it. For example, even more than blues, 99.9% of rap music is about this. Niggers love to sing about their genitals. That’s what they’re good at, and that was what Elvis “the pelvis” Presley brought sneakily into the white consciousness with his white boy version of the blues. In the progression from the very bluesy “You ain’t nothing but a hound dog” (licking his own balls, presumably) to Led Zeppelin’s “gonna give you every inch of my love” (still more negrified and explicit), it’s clear that the original source of this cultural debasement was the nigger.

Free spirits may think that a loose attitude toward sex is not necessarily a bad thing. But, as Linder has said, they give you sexual freedom while taking away your political freedom. It’s either one or the other, not both. Adopt the mindset and the mental patterns of someone born to be a slave, and wake up a slave yourself.

It’s all of a piece, you see…