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2 June, 2009 at 11:26 am
As always, I love the link to the ARC web site. A lot of great stuff there.
2 June, 2009 at 2:40 pm
Right-thinking lurkers who know that ‘modern art’ is vile left-wing crap may not be aware that jews are the main people responsible for promoting it.
Jews bring everything down to the lowest level.
2 June, 2009 at 3:33 pm
Tom’s idea of Fine Art is a Mexican oil-painting of Jesus or Elvis on a black velvet canvas. Stupid ass.
2 June, 2009 at 4:21 pm
http://www.heretical.com/miscellx/jewart.html
2 June, 2009 at 4:52 pm
Itz “baroque” alright. LOL. The only thing Poussin lacked was black velvet…he even copies Claude Lorrain’s landscape details.
3 June, 2009 at 12:56 am
What’s the deal on the Russian avant garde? Certainly Malevich and Kandinsky weren’t Jewish. Why does “white art” always have to look like a roadside garden statue stand? Check out Zbigniew Libera’s Lego Concentration Camp: I don’t think he’s Jewish: http://www.othervoices.org/2.1/feinstein/auschwitz.html He sold a set to The Jewish Museum in NYC for bank.
3 June, 2009 at 11:36 am
The all-black uniform of the Nazi Schutzstaffel, a paramilitary force from 1932 until 1945, was designed by SS-Oberführer Prof. Dr. Karl Diebitsch and graphic designer Walter Heck. From 1933, the Hugo Boss company produced these black uniforms along with the brown SA shirts and the black-and-brown uniforms of the Hitler Youth.[1][2] Some workers are acknowledged to have been prisoners of war forced into labor.[3][4]
http://en.wikipedia.org/wiki/Hugo_Boss
The coin, stamp, currency, insignia and parade regalia designers were (and this list has taken me awhile to assemble with help from German trademarks history expert Leslie Carbarga):
Carl Diebitsch
Walter Heck
Egon Janke
Carl Wilhelm Defenbach
Wilhelm Defke (Wilhelmwerks)
Carl Ernst Hinkfuss
Paul Caseberg
O.H.W. Hadank
Defenbach and Hadank were pre-NSDAP but influential. Defenbach was the ur vondervogel: http://www.gusto-graeser.info/Diefenbach/zeittafel_diefenbach2.html#Graeser
These recent podcasts include a good lecture on Wilhelm Defke designer of the NSDAP swastika. Heller says even though he was a party member they stiffed him on the bill. Many graphic designers agree that Defke is the father of the modern trademark.
http://design.schoolofvisualarts.edu/weblog/paulrand/2009/01/31/WilhelmDefkeFatheroftheModer.html
3 June, 2009 at 2:09 pm
“Why does “white art” always have to look like a roadside garden statue stand?”
Does it?
“Check out Zbigniew Libera’s Lego Concentration Camp: I don’t think he’s Jewish”
And? We know about ‘white’ degenerates but ‘modern art’ is a promoted by jews.
3 June, 2009 at 2:45 pm
http://www.foxnews.com/story/0,2933,524999,00.html
Jews again. Posted by wildbill on the forum.
“Exhibit A is a painting of Alice in Wonderland, by Beth Post of Fayetteville, Ark. Titled “The Temptation of Alice,” it is a rendering of the iconic children’s book character alongside the “Drag-Queen of Hearts,” a man wearing women’s lingerie. The two of them are surrounded by rabbits that are, ahem, busy making more rabbits.
Exhibit B is a painting of the Virgin Mary, by Michelle Levy of Eureka Springs, Ark. Titled “The Divine Mother,” it depicts a bare-breasted Mary nursing the baby Jesus, with text above the Madonna that asks, “Does this halo make my face look fat?”
Welcome to the “Artery” exhibit, a collection of 27 8-foot-by-4-foot paintings that has been on display in the town of Eureka Springs since September, and whose current theme — popular icons in religion and culture — has raised more than a few eyebrows in the small northwestern Arkansas town.
Those concerns have led some city council members to draft a contract that would take control of the public art exhibit from its curators — and have led some artists to cry censorship.”