Vanguard News Network

Oh, yes, it makes lots of sense that the Germans would use their valuable railway system not to transport troops, tanks and other war materiel to the front lines but to transport useless, good for nothing Jews from one camp to another and then gas them. And of course, no one stops to think that gassing large numbers of people would be an exteremely slow and inefficient way of getting rid of them, or that the gas chambers and cremetoriums would have to be the size of NFL stadiums and would take years to build.

And apparently no one cares that hundreds of thousands of German civilians were incinerated in Allied firebombing raids, or that at least one million Germans died as a result of being forcibly relocated after the War. The brutal attrocities committed by the Soviets and the Japanese are also conveniently forgotten.

Like every other religion, Holocaustianity is based on irrational superstitions and myths. It offers no proof of any kind, just threats of eternal damnation if you refuse to submit and believe.

It’s about time israel erects righteous monuments to the jewish ghetto police and chaim rumkowski alike. Enough with anne frank storytelling.

From the article:

“Speaking after the visit, Mr Brown said: “Nothing, no film, no book, no documentary can prepare you for what you see here.”

And what exactly did he see? A picture of bodies of Ukrainian famine victims piled in a pit? A picture of a pile of shoes? A picture of a bunch of inmates in their bunks?

What did he see that was so horrifying? The city of Dresden fire bombed to the tune of 500,000 people consumed by fire?

I wonder if he’ll go tour the North Pole at some point to inspect Santa Claus’s wondrous toy factories.

March 24, 1933, a British newspaper, the Daily Express ran with the headline “JUDEA DECLARES WAR ON GERMANY” Underneath that a headline “JEWS OF ALL THE WORLD UNITE” which goes on to state that the worlds 14,000,000 jews unite with their 600,000 coreligionists in Germany.

900,000 holocaust memorials? Only 600,000 Jews in Germany?

The John Erickson Museum of Art is a museum in a box: http://www.jema.us/ The director invited me to exhibit at JEMA. I created a miniature holocaust museum, the opening of which we documented in the parking lot of The Showman’s Lounge in Gibsonton, Florida, the old winter HQ of America’s carnival and sideshow workers.
JEMA shows essentially exist only as digital archives at the JEMA website. So when my show didn’t appear there after some months I wrote to the director to find out why. Afterall, I’d gone through quite a bit of bother producing it in real time and was rather proud of of the fact mine was to be the first miniature holocaust museum in the world. Of course, once the director realized I was satirizing “Holocaustianity” he wanted no part in the project. He has a teaching job at a university and a family he wants to keep so he washed his hands of it. All that’s left to prove it once existed is this artist’s statement which I was asked to prepare…

“Dr. Death and the Seven Dwarfs of Auschwitz” is a response to the explosive proliferation of Holocaust museums around the world. It also presents an abstract challenge to the belief requirement that any skepticism of the Holocaust story in it’s ecumenical entirety is abject moral midgetry.
Some of the images presented are taken from the book In Our Hearts We Were Giants, by Yehuda Koren and Eilat Negev. This is a true story of a family of Hungarian Jewish dwarfs who survived Auschwitz thanks to the proprietary interest of the notorious camp physician Dr. Joseph Mengele. Pictures of the Ovitz lillliput troupe have been interspersed with standard WWII era file photos to create a miniaturized presentation of clichéd Holocaust horror. Denial or “trivialization” of the received history of this sixty-year-old set of events has been declared a criminal act by nine European governments and the United Nations. The idea of the Holocaust as the single event of the 20th century whose consequentiality seems only to increase as it recedes into the past raises questions about scale in relation to the proper memorialization of an incident of such psychic magnitude. These issues are what the melodramatic theme and reduced size of this exhibition are attempting to address.

Prior to the miniature holocaust museum {which i would like to have opened inside another larger holocaust museum] I built a little concentration camp for birds. This does exist as a file archived at You Tube and can be viewed here: http://www.youtube.com/watch?v=Y0OWcUsiGd4